Diary of an Orchestrator, April 6: Harp Concerto Notes I

11:55 p.m. Been a very long day, filled with intense personal commitments. Still, there was time for my career, which never stops. Even at my most distracted, it’s always humming along, like that train that I can hear passing by about a mile from window, rippling the soundwaves with its churning as it bites off …

Diary of an Orchestrator, April 5: Rescuing the End of the Concerto

6:00 p.m. Today’s meeting with the conductor and soloist is canceled, mainly because I’m apprehensive about driving to a West L.A. address by 5 p.m. in an expensive borrowed car. Especially after driving on the other side for over a decade. I still feel the instinct to left turn into the oncoming lane, and I …

Diary of an Orchestrator, April 4: San Ber’dino

3:38 p.m. One thing a composer or writer should never be without is a notepad or sketchbook, or in the 21st century, a laptop. Thus my time sitting in the San Bernardino County Recorder’s Office isn’t wasted. The drive out here was uneventful. My borrowed car, a very up-to-date BMW with a nav system, is …

Diary of an Orchestrator, April 3: Back in L.A.

It’s close to midnight at the end of my first full day in Southern California. I’m about to shut up shop mentally, but have to write a few words about coming back to my birthplace. It’s strange, but I’m feeling a lot circles closing with this performance – returning to places where ideas and thoughts …