{"id":467,"date":"2012-12-25T07:56:44","date_gmt":"2012-12-25T06:56:44","guid":{"rendered":"https:\/\/orchestrationonline.com\/?p=467"},"modified":"2012-12-25T07:56:44","modified_gmt":"2012-12-25T06:56:44","slug":"marimba-mallet-choices","status":"publish","type":"post","link":"https:\/\/orchestrationonline.com\/marimba-mallet-choices\/","title":{"rendered":"Marimba – Mallet Choices"},"content":{"rendered":"

When scoring for marimba, be especially precise about the type of mallets and articulation you want, as different types favor different overtones. Watch the end of the Evelyn Glennie video I’ve linked below. There are intriguing possibilities with softer mallets, tremolo, and contrasting registers.<\/p>\n

\"Marimba<\/a>
excerpt from the marimba part of my orchestral legend Maui’s Fishhook<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

When scoring for marimba, be especially precise about the type of mallets and articulation you want, as different types favor different overtones. Watch the end of the Evelyn Glennie video I’ve linked below. There are intriguing possibilities with softer mallets, tremolo, and contrasting registers.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17,27,19],"tags":[26],"yoast_head":"\nMarimba - Mallet Choices - Orchestration Online<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/orchestrationonline.com\/marimba-mallet-choices\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marimba - Mallet Choices - Orchestration Online\" \/>\n<meta property=\"og:description\" content=\"When scoring for marimba, be especially precise about the type of mallets and articulation you want, as different types favor different overtones. 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