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Tag: Ronan Keating

Diary of an Orchestrator – Mission Estate Concert project, days 16-24

Diary of an Orchestrator – Mission Estate Concert project, days 16-24

Feb 14th, 2014
Thomas Goss

Tuesday, February 11 8:30 a.m. A huge amount of time has passed since my last journal entry. This delay is pretty typical of the ending stretch in a project: the work starts to pile up as everyone involved realizes that they’re much too close to the kill date for comfort. In my case, I was…
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Diary of an Orchestrator – Mission Estate Concert project, day 15

Diary of an Orchestrator – Mission Estate Concert project, day 15

Feb 12th, 2014
Thomas Goss

Sunday, January 26 Today is a red-letter day in the project. In 7.5 hours I completed song no. 10: “There’ll Be Sad Songs” by Billy Ocean. My tenth song was supposed to be “Mná Na h’Éirann” by Sharon Corr, but I moved up that add-on song I was given a few days ago. I’m sure…
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Diary of an Orchestrator – Mission Estate Concert project, day 4

Diary of an Orchestrator – Mission Estate Concert project, day 4

Jan 26th, 2014
Thomas Goss

Tuesday, 7 January, Part 2 After re-scoring the Keating yesterday, I sent the whole thing along with the Tubular Bells score to my MD, and got a good response back. That’s what matters, really. A thumbs-up at this point in my career is more about the relief of saving me from rewrites than it is…
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Diary of an Orchestrator – Mission Estate Concert project, day 3

Diary of an Orchestrator – Mission Estate Concert project, day 3

Jan 25th, 2014
Thomas Goss

Tuesday, 7 January, Part 1 I’ve been slack about my journal for the past two days, and finally catching up today. Well, I did finish the Ronan Keating song “When You Say Nothing At All” in one day on Sunday the 5th, but strangely it was a lot more of an effort than the awesome…
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Diary of an Orchestrator – Mission Estate Concert project, day 1

Diary of an Orchestrator – Mission Estate Concert project, day 1

Jan 20th, 2014
Thomas Goss

Friday, 3 January 2013 – Collingwood, New Zealand Day 1 of work on the Mission Estate orchestration job. It’s good to be back to it again, though the circumstances are a little strange. It’s 4:50pm as I start this journal entry, leaning back from my little workdesk in a little cabin on the South Island…
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