This event has now been closed. This Orchestration Challenge ran from 15 July through to 19 August, 2018. The entries of the following participants have been archived in the playlist embedded above: Website Subscriber Entrants: A – Arne Bremer, Erio Daja, George Owen, Jeremy Cullen, & Jerry Engelbach B – Jorge Isaac Merla Hernandez, Juan…
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The Challenge: to orchestrate the piano piece À la manière de Borodine by Maurice Ravel The Platform: Facebook for general feedback, Patreon for video score analysis. After the deadline, professional orchestrator Thomas Goss will release a public video featuring in-depth analysis of his own version of the Ravel piece, also illustrating other noteworthy approaches by…
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The Evaluations for the 2014 June Orchestration Challenge have been uploaded to the Orchestration Online Blog page. For a massive dose of orchestration training, insights, feedback, and score-reading, I invite you to check it out for yourself. Read over all the entries, develop your inner ear in the process, and examine my own orchestration along…
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Our second Monthly Orchestration Challenge has stretched on more than twice its anticipated length, due to both my heavy schedule over the past two months, and the complexity of the challenge. Furthermore, since so many entrants had put so much energy and commitment into their entries, I felt obligated to comment on each and every…
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Thanks to everyone who submitted an entry to the 2014 May Orchestration Challenge! The Evaluations [link] have been posted in the Orchestration Online Blog. Please go have a look to see all the entries, including mine, along with some analysis and orchestration tips. 2014 June Orchestration Challenge This month’s challenge is the opening of “Reflet dans l’eau” from Book…
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2014 May Orchestration Challenge Our first challenge will be an excerpt from Robert Schumann’s Symphonic Etudes, orchestrating the first half of the first Etude-Variation. For an orchestra, we will limit ourselves to the orchestra of Schumann’s own Fourth Symphony: 2222 winds, 4230 brass, timpani, and strings. Brass may be chromatic rather than natural, but timpani…
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