Oct 25th, 2014 Thomas Goss Richard Strauss’s Indian Summer, presented by Thomas Goss. http://on-demand.radionz.co.nz/appt/appt-20121025-1900-appointment_for_25_october_2012-064.mp3 © Copyright Radio New Zealand « RadioNZ: Brian Eno RadioNZ: Tchaikovsky » Related Posts Orchestration Tip: Horn Middle Register Sep 30th, 2023 Thomas Goss For better control in delicate scoring, use the horn’s middle register, especially in the octave bet Woodwinds: Optimal Registers for Seamless Dovetailing between Instruments of the Same Family Feb 12th, 2023 Thomas Goss While dovetailing a line between woodwind instruments can feel very natural, truly seamless doubling Harp: Spectrum of Harmonics vs Normal Notes Feb 2nd, 2023 Thomas Goss Comparing the spectrum of normally played harp notes with harmonic tones reveals a wealth of informa Extreme Dynamics, Part 2: A Systematic Approach Nov 29th, 2022 Thomas Goss While the application of extreme dynamics varies widely in musical meaning between composers, eras, Extreme Dynamics, Part 1: Realities & Limitations Nov 29th, 2022 Thomas Goss Use extreme caution when applying extreme dynamics, and be aware of the physical realities and limit Orchestration Tip – Horn Bumping Jan 15th, 2022 Thomas Goss EVERYTHING YOU DON’T NEED TO KNOW (BUT MAYBE SHOULD) ABOUT HORN BUMPERS If you were to ask the avera Orchestration Tip – Hobbits in the Horn Section Oct 29th, 2021 J3xc9Frhx3kO0om Recently in the middle of the current ongoing massive run of 165 evaluations for the 2021 Orchestrat Orchestration Tip: Clarinet Textural & Melodic Blending Sep 8th, 2021 Thomas Goss The clarinet is an excellent resource for supporting and colouring harmonic and melodic texture. (Ti
Orchestration Tip: Horn Middle Register Sep 30th, 2023 Thomas Goss For better control in delicate scoring, use the horn’s middle register, especially in the octave bet
Woodwinds: Optimal Registers for Seamless Dovetailing between Instruments of the Same Family Feb 12th, 2023 Thomas Goss While dovetailing a line between woodwind instruments can feel very natural, truly seamless doubling
Harp: Spectrum of Harmonics vs Normal Notes Feb 2nd, 2023 Thomas Goss Comparing the spectrum of normally played harp notes with harmonic tones reveals a wealth of informa
Extreme Dynamics, Part 2: A Systematic Approach Nov 29th, 2022 Thomas Goss While the application of extreme dynamics varies widely in musical meaning between composers, eras,
Extreme Dynamics, Part 1: Realities & Limitations Nov 29th, 2022 Thomas Goss Use extreme caution when applying extreme dynamics, and be aware of the physical realities and limit
Orchestration Tip – Horn Bumping Jan 15th, 2022 Thomas Goss EVERYTHING YOU DON’T NEED TO KNOW (BUT MAYBE SHOULD) ABOUT HORN BUMPERS If you were to ask the avera
Orchestration Tip – Hobbits in the Horn Section Oct 29th, 2021 J3xc9Frhx3kO0om Recently in the middle of the current ongoing massive run of 165 evaluations for the 2021 Orchestrat
Orchestration Tip: Clarinet Textural & Melodic Blending Sep 8th, 2021 Thomas Goss The clarinet is an excellent resource for supporting and colouring harmonic and melodic texture. (Ti