Let’s say that you’re second oboist for a mid-sized orchestra. You play a lot of cor anglais parts as a result. On one new work, you’re piping away at some very good writing for second oboe – clean, well-supported, and easy to […]
My recent experiences in booking wind players for my orchestration course has brought up a very important tip about heckelphone and bass oboe, a factor involved in the use of these instruments that you also won’t find in the orchestration manuals. I realise, of course, […]