This book laid the foundation for all other English-language orchestration manuals, both in organization and in wit. But despite Del Mar’s zingers, this book remains the funniest, most insightful read on orchestration. It left a deep imprint on a whole generation of American and English orchestrators. Highly recommended.
« Principles of Orchestration by Nikolai Rimsky-Korsakov
Grand Treatise on Instrumentation by Hector Berlioz, updated by Richard Strauss »
Related Posts
ORCHESTRATION TIP: C CLARINET – TO USE OR NOT TO USE
(Adapted from 100 LAST Orchestration Tips, planned for release in late 2026) Despite claims of its o
ORCHESTRATION TIP: CLARINET EVEN-NUMBERED PARTIALS
(Adapted from 100 LAST Orchestration Tips, planned for release in late 2026) Despite the emphasis by
ALTO CLEF READING COURSE ORIENTATION
Welcome to the Orchestration Online Alto Clef Reading Course, designed to quickly and permanently im
ALTO CLEF READING, UNIT 1: PITCH RECOGNITION
FINDING A USEFUL SYSTEM When I was just about 14, I switched over from the violin to viola in my jun
ALTO CLEF READING, UNIT 2: SCORING
Note: make sure to read my first tip in this course on Alto Clef concerning Pitch Recognition, downl
ALTO CLEF READING UNIT 3A: VIOLA
If you’re new to reading the alto clef, but you’ve taken the time to drill yourself on Pitch Recogni
ALTO CLEF READING UNIT 3B: ALTO TROMBONE
If this is your first look at my Alto Clef Reading Course, jump back to the my first two sections on
ALTO CLEF READING UNIT 3C: CONTRALTO VOICE
This represents the final post in my series, “Alto Clef Reading Tips and Drills.” Make sure that you