RESOURCES
Complete last week’s reading and viewing if you’re still behind:
Additional Viewing
Orchestration Question 8: Marking Bowings
Orchestration Question 7: Getting Unstuck
Orchestration Question 6: Composing Schedule
Intro to Orchestration, Part 9
Intro to Orchestration, Part 7
MOOOC Term 1 Reading Session Worksheet
SCORE STUDY
Score-read the following violin sonatas. Each IMSLP page has 1 or more good recordings that can be used for listening alongside your score-reading. I have also linked YouTube videos here or there for alternate versions.
• J.S. Bach, Sonata in G for violin and continuo, BWV 1019
Recommended viewing:
Frank Peter Zimmerman’s lively version with piano instead of harpsichord https://youtu.be/CSfw9Yq8YSw
– but also listen to the IMSLP version or other version with harpsichord. Piano is better for really hearing the interdependence of voices, though it’s not period by any means.
• Mozart, Sonata in B-flat for violin and piano, K. 378
The Breitkopf Edition is the most readable.
Recommended viewing:
Anna-Sophie Mutter’s thoughtful, individual reading: https://youtu.be/AKeVF_Dluao
The IMSLP version is also quite nice.
• Beethoven, Sonata no. 9 in A for violin and piano, Op. 47
I like the Joachim edition.
Recommended viewing:
Anna-Sophie Mutter is hard to beat: https://youtu.be/COGcCBJAC6I
Unless you’re David Oistrakh: https://youtu.be/8uPGz7NU-mk
• Schumann, Sonata no. 1 in A minor for violin and piano, Op. 47
Clara Schumann edition of course, top post, not the grainy scan of the Russian printing.
Recommended viewing:
Spoilt for choice on the IMSLP page with good recordings.
I really like this Ari Malikian version, with embedded score to boot: https://youtu.be/uyWg0708Sl0
• Grieg, Sonata no. 3 in C minor for violin and piano, Op. 45
Peters is and always has been Grieg’s best publisher.
Recommended viewing:
Julia Fischer plays it like it was composed yesterday: https://youtu.be/FdYP790fAzM
IMSLP versions good, but not as good as Fischer.
• Ravel, Sonata (no. 2) in G for violin and piano
Recommended viewing:
Capuçon’s version with Ravel specialist Grimaud is spot-on: https://youtu.be/12izIL6Jk38
Worth comparing with Oistrakh’s gypsy-like version of mvt. 2: https://youtu.be/KdyUiiaQee0
SCORING ASSIGNMENT
Compose a work for violin/piano using the following parameters:
• 2-3 minutes in length
• incorporate Lesson 1’s scoring approaches with those discussed in this week’s video
• study in contrasts – musical, textural, roles, instrumental characters, etc.
• compose in your own artistic voice and idiom (such as film, concert, crossover, etc.)
• continue to compose with an expectation of performance/reading