This book laid the foundation for all other English-language orchestration manuals, both in organization and in wit. But despite Del Mar’s zingers, this book remains the funniest, most insightful read on orchestration. It left a deep imprint on a whole generation of American and English orchestrators. Highly recommended.
« Principles of Orchestration by Nikolai Rimsky-Korsakov
Grand Treatise on Instrumentation by Hector Berlioz, updated by Richard Strauss »
Related Posts
ALTO CLEF READING COURSE ORIENTATION
Welcome to the Orchestration Online Alto Clef Reading Course, designed to quickly and permanently im
ALTO CLEF READING, UNIT 1: PITCH RECOGNITION
FINDING A USEFUL SYSTEM When I was just about 14, I switched over from the violin to viola in my jun
ALTO CLEF READING, UNIT 2: SCORING
Note: make sure to read my first tip in this course on Alto Clef concerning Pitch Recognition, downl
ALTO CLEF READING UNIT 3A: VIOLA
If you’re new to reading the alto clef, but you’ve taken the time to drill yourself on Pitch Recogni
ALTO CLEF READING UNIT 3B: ALTO TROMBONE
If this is your first look at my Alto Clef Reading Course, jump back to the my first two sections on
ALTO CLEF READING UNIT 3C: CONTRALTO VOICE
This represents the final post in my series, “Alto Clef Reading Tips and Drills.” Make sure that you
ALTO CLEF READING, UNIT 4A: 100 SIGHT-SINGING DRILLS
100 ALTO CLEF SIGHT-SINGING DRILLS By this point in my Alto Clef Reading Course, you should have sha
Orchestration Tip: Horn Middle Register
For better control in delicate scoring, use the horn’s middle register, especially in the octave bet